Why "Rethinking Hell"?

For many of us the great symbol of deep contemplation is Auguste Rodin’s statue of The Thinker. He wanders restlessly through our culture seeking subjects worthy of his furrowed brow. I imagine he is regularly disappointed.

We keep him around in contexts as diverse as libraries and car dashboards for one simple reason: thinking is still a virtue. Or at least it can be, if the subject is worthy. That’s important, because when a culture stops thinking about noble things bad stuff can happen, like the horrors of biochemical warfare — and inflatable kitsch.

Originally, Rodin cast our bronze hero for the penetration of one mystery only. One worthy subject; one terrible theme. Hell.
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